Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Tulokset 1 - 3 kokonaismäärästä 23
Sivu 280
The social dramas , the thesis dramas , the problem plays , the impressionistic and expressionistic drama , epic theater and theater of ideas , theater as happening and assault , theater as cruelty and as an expression of modern ...
The social dramas , the thesis dramas , the problem plays , the impressionistic and expressionistic drama , epic theater and theater of ideas , theater as happening and assault , theater as cruelty and as an expression of modern ...
Sivu 345
Strength of diction and spontaneous expression of emotion are the main virtues of Anderson's verse . For example , the rough and bitter opening lines of the gangster Trock hardly need their metric form , for prose also can achieve ...
Strength of diction and spontaneous expression of emotion are the main virtues of Anderson's verse . For example , the rough and bitter opening lines of the gangster Trock hardly need their metric form , for prose also can achieve ...
Sivu 406
An O'Casey , a Synge , or a Williams can attain poetically satisfying expression . With or without meter , domestic tragedy is capable of subtle poetic expression which results in a heightening of tragic events .
An O'Casey , a Synge , or a Williams can attain poetically satisfying expression . With or without meter , domestic tragedy is capable of subtle poetic expression which results in a heightening of tragic events .
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York