Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 25
Sivu 278
Even in today's lowly tragedy , the protagonist suffers from what Aristotle long ago described as that change in fortune which removes a figure from prosperity into adversity . Aristotle spoke of hamartia , the " great error " which ...
Even in today's lowly tragedy , the protagonist suffers from what Aristotle long ago described as that change in fortune which removes a figure from prosperity into adversity . Aristotle spoke of hamartia , the " great error " which ...
Sivu 301
Unfortunately , the play's major figure , Falder , lacks stature . Clifford Leech compares Falder to Arthur Miller's Willy Loman ( Death of a Salesman ( 1949 ] ) ; " Both of these figures come to desperation , but neither seems to know ...
Unfortunately , the play's major figure , Falder , lacks stature . Clifford Leech compares Falder to Arthur Miller's Willy Loman ( Death of a Salesman ( 1949 ] ) ; " Both of these figures come to desperation , but neither seems to know ...
Sivu 363
Brooks Atkinson said of Williams ' central figure in A Streetcar Nomed Desire , " Blanche DuBois was a colorless person , but ... 4 Henrik Ibsen , The Wild Duck , in Cerf and Corntell , p . 74 . 5 Ned Rorem , An Absolute Gift ( New York ...
Brooks Atkinson said of Williams ' central figure in A Streetcar Nomed Desire , " Blanche DuBois was a colorless person , but ... 4 Henrik Ibsen , The Wild Duck , in Cerf and Corntell , p . 74 . 5 Ned Rorem , An Absolute Gift ( New York ...
Mitä ihmiset sanovat - Kirjoita arvostelu
Yhtään arvostelua ei löytynyt.
Yleiset termit ja lausekkeet
achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York