Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Tulokset 1 - 3 kokonaismäärästä 42
Sivu 245
PART ONE : NINETEENTH - CENTURY ENGLISH DRAMA George Lillo had influenced such continental dramatists as Diderot and Lessing . The works of these dramatists in turn influenced other writers on the continent and in England .
PART ONE : NINETEENTH - CENTURY ENGLISH DRAMA George Lillo had influenced such continental dramatists as Diderot and Lessing . The works of these dramatists in turn influenced other writers on the continent and in England .
Sivu 263
Of special importance are continental playwrights who either were influenced by English domestic tragedy or who had an influence on the writing of domestic tragedies by English - language authors . ( Some of the influences have already ...
Of special importance are continental playwrights who either were influenced by English domestic tragedy or who had an influence on the writing of domestic tragedies by English - language authors . ( Some of the influences have already ...
Sivu 267
Similarly , German drama was deeply influenced by the works of Lillo ( as well as the sentiments of Shaftesbury ) . While these influences did not always lead to high quality dramas — and the fate tragedies of the Germans are sometimes ...
Similarly , German drama was deeply influenced by the works of Lillo ( as well as the sentiments of Shaftesbury ) . While these influences did not always lead to high quality dramas — and the fate tragedies of the Germans are sometimes ...
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York