Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Sivu 226
There was a concomitant growth of interest in the plain and the unadorned aspects of life . This interest , however , did not take people into the thickets and underbrush of existence . One of the strongest voices raised against the ...
There was a concomitant growth of interest in the plain and the unadorned aspects of life . This interest , however , did not take people into the thickets and underbrush of existence . One of the strongest voices raised against the ...
Sivu 230
Audiences of the eighteenth century responded to such pleas by taking an increasing if superficial interest in their surroundings . Stephen explains this new interest , which began in the eighteenth century and continues even today ...
Audiences of the eighteenth century responded to such pleas by taking an increasing if superficial interest in their surroundings . Stephen explains this new interest , which began in the eighteenth century and continues even today ...
Sivu 397
Recent American drama has moments of interest that usually fail to become solid achievements . Barbara Gibson in MacBird ( 1967 ) showed an interest in political activism , but there was an undergraduate quality to her writing , as if ...
Recent American drama has moments of interest that usually fail to become solid achievements . Barbara Gibson in MacBird ( 1967 ) showed an interest in political activism , but there was an undergraduate quality to her writing , as if ...
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York