Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Tulokset 1 - 3 kokonaismäärästä 39
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32 Melodrama would dominate the early nineteenth - century English stage . Domestic tragedy did not continue to develop during the nineteenth century . Perhaps the genre's heroes were simply too weak , too pusillanimous to awaken the ...
32 Melodrama would dominate the early nineteenth - century English stage . Domestic tragedy did not continue to develop during the nineteenth century . Perhaps the genre's heroes were simply too weak , too pusillanimous to awaken the ...
Sivu 245
SECTION THREE : 1800 TO THE PRESENT CHAPTER IX NINETEENTH - CENTURY DEVELOPMENTS IN ENGLAND AND ON THE CONTINENT By the late eighteenth century , England had lost the lead in drama . It would become a place of active theatrical ...
SECTION THREE : 1800 TO THE PRESENT CHAPTER IX NINETEENTH - CENTURY DEVELOPMENTS IN ENGLAND AND ON THE CONTINENT By the late eighteenth century , England had lost the lead in drama . It would become a place of active theatrical ...
Sivu 253
During the first half of the nineteenth century , tragic drama lay almost dormant and melodrama was the closest approach to tragic expression . In general , prose was the medium for nineteenth - century theater , although there were a ...
During the first half of the nineteenth century , tragic drama lay almost dormant and melodrama was the closest approach to tragic expression . In general , prose was the medium for nineteenth - century theater , although there were a ...
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York