Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Sivu 238
The presence in the eighteenth - century audience of common people encouraged playwrights to use the stage as a vehicle not only of morals but also of manners . In her prologue to The Fatal Falsehood , Mrs. More stated the lesson which ...
The presence in the eighteenth - century audience of common people encouraged playwrights to use the stage as a vehicle not only of morals but also of manners . In her prologue to The Fatal Falsehood , Mrs. More stated the lesson which ...
Sivu 254
shackled themselves to an outmoded stage tradition when they wrote for the theater . Nicoll says that these poets had " a vague desire to shine in the sphere of dramatic authorship and a childish inability to take advantage of what was ...
shackled themselves to an outmoded stage tradition when they wrote for the theater . Nicoll says that these poets had " a vague desire to shine in the sphere of dramatic authorship and a childish inability to take advantage of what was ...
Sivu 319
That Eliot is not the better playwright may be attributed to his refusal to come to terms with the stage , demanding instead that the stage abide by his rules . Eliot seemed more comfortable with the stage in his later plays , such as ...
That Eliot is not the better playwright may be attributed to his refusal to come to terms with the stage , demanding instead that the stage abide by his rules . Eliot seemed more comfortable with the stage in his later plays , such as ...
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