Domestic Tragedy in English: Brief Survey, Nide 2Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982 - 465 sivua |
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Sivu 336
In some ways , James A. Herne had written what Margaret Mayorga calls " tearful melodramas , or ... what might be called ,, 21 comedies of mix - up . The playwrights of the twentieth century 19 James A. Herne , Margaret Fleming ...
In some ways , James A. Herne had written what Margaret Mayorga calls " tearful melodramas , or ... what might be called ,, 21 comedies of mix - up . The playwrights of the twentieth century 19 James A. Herne , Margaret Fleming ...
Sivu 337
He had originally written The Great Divide in blank verse which he refashioned into slightly stumbling prose ( cf. Lillo's London Merchant ( 1731 ] ) . As old fashioned as Moody's plays now seem , they were refreshing in their time .
He had originally written The Great Divide in blank verse which he refashioned into slightly stumbling prose ( cf. Lillo's London Merchant ( 1731 ] ) . As old fashioned as Moody's plays now seem , they were refreshing in their time .
Sivu 404
intensity needed to transcend their time of writing , despite their use of real events ; for that matter ... Such plays as the anonymously written Arden of Feversham or Lillo's London Merchant , despite their tendencies toward a moral ...
intensity needed to transcend their time of writing , despite their use of real events ; for that matter ... Such plays as the anonymously written Arden of Feversham or Lillo's London Merchant , despite their tendencies toward a moral ...
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achieve action adapted Aeschylus American American drama Arthur attempts attitude audience become British calls cause Chapter characters comedy common continued critics death depicted described Despite discussed domestic tragedy drama dramatists earlier early effective eighteenth century elements Eliot Elizabethan emotions England English English Drama Eugene evil example existence expression Fatal figure final forces George History human Husband Ibid Ibsen idealized ideas important influenced interest John lack language later lead Lillo Literature live London London Merchant major melodrama Miller modern tragedy moral natural never Nicoll nineteenth century notes novel O'Neill ordinary perhaps person play playwrights poetic poetry popular portrayed potential present Press problems produced prose protagonist realism reflect result Robert Salesman says seems sense sentimental situation social society stage suffering suggests theater theme Thomas tragic understand University values victims wanted weak Willy writers written wrote York