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Teokset Teokset
" To lend himself, to project himself and steep himself, to feel and feel till he understands, and to understand so well that he can say, to have perception at the pitch of passion and expression as embracing as the air, to be infinitely curious and incorrigibly... "
The Author - Sivu 65
muokkaaja - 1891
Koko teos - Tietoja tästä kirjasta

Essays in London and Elsewhere

Henry James - 1893 - 330 sivua
...completely equipped — armed cap-d.pie in curiosity and sympathy — one falls in love with the apparition. It certainly represents the knight who has knelt through...perception at the pitch of passion and expression as embracing as the air, to be infinitely curious and incorrigibly patient, and yet plastic and inflammable...

Essays in London and Elsewhere

Henry James - 1893 - 344 sivua
...completely equipped—armed eap-iLfie in curiosity and sympathy—one falls in love with the apparition. It certainly represents the knight who has knelt through...perception at the pitch of passion and expression as embracing as the air, to be infinitely curious and incorrigibly patient, and yet plastic and inflammable...

The Contemporary Review, Nide 64

1893 - 942 sivua
...the greater pleasure to quote from the same essay his description of what the critic should be : " There is something sacrificial in his function, inasmuch...project himself and steep himself, to feel and feel until he understands, and to understand so well that he can say, to have perception at the pitch of...

An Introduction to the Methods and Materials of Literary Criticism: The ...

Charles Mills Gayley, Fred Newton Scott - 1899 - 612 sivua
...characterizes : It is " to lend himself, to project himself and steep himself, to feel and feel until he understands, and to understand so well that he...the intensely fixed idea of turning character and history and genius inside out." An interesting comparison is made between critic and novelist. The...

An Introduction to the Methods and Materials of Literary Criticism: The ...

Charles Mills Gayley, Fred Newton Scott - 1899 - 608 sivua
...to consider the function, or ' programme,' of the good critic, which he thus characterizes : It is " to lend himself, to project himself and steep himself, to feel and feel until he understands, and to understand so well that he can say, to have perception at the pitch of...

The Forms of Prose Literature

John Hays Gardiner - 1900 - 520 sivua
..." Criticism " in Mr. Henry James's " Essays in London and Elsewhere." "To lend himself," he writes, "to project himself and steep himself, to feel and...perception at the pitch of passion and expression as embracing as the air, to be infinitely curious and incorrigibly patient, and yet plastic and inflammable...

The Bookman, Nide 43

1916 - 852 sivua
...standard for the critic, who is serving the general cause of right thinking, and who, if he be worthy, represents "the knight who has knelt through his long...project himself, and steep himself, to feel and feel until he understands, and to understand so well that he can say, to have perception at the pitch of...

Literary Criticism: Pope to Croce

Gay Wilson Allen, Harry Hayden Clark - 1962 - 676 sivua
...interest in appreciation and expressionism. He set forth his theory in his essay entitled "Criticism": "To lend himself, to project himself and steep himself, to feel and feel till he understand and to understand so well that he can say, to have perception at the pitch of passion and...
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Theory of Fiction: Henry James

Henry James, James Edwin Miller - 1972 - 394 sivua
...("Criticism," 1891), he did not find need to mention the word. He described the critic as offering himself "as a general touchstone" : "To lend himself,...perception at the pitch of passion and expression as embracing as the air, to be infinitely curious and incorrigibly patient, and yet plastic and inflammable...
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The Art of Criticism: Henry James on the Theory and the Practice of Fiction

Henry James - 1986 - 524 sivua
...equipped — armed cap-à-pie in curiosity and sympathy — one falls in love with the apparition. It certainly represents the knight who has knelt through...perception at the pitch of passion and expression as embracing as the air, to be infinitely curious and incorrigibly patient, and yet plastic and inflammable...
Rajoitettu esikatselu - Tietoja tästä kirjasta




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