The Approach to Fiction: Good and Bad Readings of Novels

accept Anna Anna Karenina appears argument Arthur Clennam assert attention attitude aware believe Brehgert Chainmail chapter characters concerned consciousness convention critics Crotchet Castle D. H. Lawrence demand depth psychology described Dickens Dickens's discussion Dorothea DR FOLLIOTT effect example existence experience feel fiction George Eliot Georgiana give happens Heart of Darkness Hermsprong Hetta human Hurtle imagery impersonal novel imprisonment inevitable interest interpretation Jane Austen judgment kind Lady Carbury less Little Dorrit Live logical Longestaffe Mac Quedy Marlow Marshalsea Melmotte Melmotte's metaphors Middlemarch mind Moby Dick moral narrator nature never Nidderdale novelist novels of ideas obvious passage Peacock perceptions plot presented prison psychological reader reading realistic novels relationship response river Roger scene seems sense sentence social society speculate story suggest talk tell tend tension tion Tolstoy Trollope Trollope's unconscious Virginia Woolf Vronsky whole words writer Wuthering Heights