Italian Cinema: From Neorealism to the PresentF. Ungar Publishing Company, 1983 - 440 sivua |
Sisältö
NOTES | 385 |
SELECTED BIBLIOGRAPHY | 413 |
RENTAL INFORMATION | 423 |
Tekijänoikeudet | |
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Accattone actors American Antonioni artistic Bertolucci Bicycle Thief Cabiria camera Cappelli characters Cinecittà cinema italiano classic comedy comic commedia all'italiana completely contemporary critics culture death decade director documentary embodies employed episode eventually Fascist father Federico Fellini film's flashback Francesco genre Guido historical Hollywood human ideological illusion important intellectual Italian cinema Italian film Italian neorealism Italy Italy's Leone Leone's Lina Wertmüller Luchino Visconti Marcello Michelangelo Antonioni Milan Modern Art moves murder Museum of Modern narrative neorealism neorealist novel Open City Paisan peasant period Photo courtesy photographed Pier Paolo Pasolini plays plot political popular portrays postwar produced protagonists realism reality reflects relationship reveals role Rome Rossellini scene Scola script sequence Sergio Sergio Leone sexual shot Sica Sica's Sicilian social society sound track story storyline style symbolic Taviani themes Totò traditional trilogy typical Umberto Umberto D underline viewer vision Vittorio Wanda Western White Sheik York