 Hilda and Solness are, I believe, the first characters in drama who feel, for an instant, that they are living in the atmosphere of the soul; and the discovery of this essential life that exists in them, beyond the life of every day, comes fraught with...  The Master Builder: A Play in Three Acts - Sivu xviitekijä(t) Henrik Ibsen - 1892 - 227 sivuaKoko teos - Tietoja tästä kirjasta
 | Maurice Maeterlinck - 1897 - 258 sivua
...we have to yield to it. Whether we want to or not, we must.' There is sorcery in them, as in us all. Hilda and Solness are, I believe, the first characters...the life of every day, comes fraught with terror. Hilda and Solness are two souls to whom a flash has revealed their situation in the true life. Diverse... | |
 | Maurice Maeterlinck - 1897 - 252 sivua
...have to yield to it. Whether we want to or not, we must.'' There is sorcery in them, as in us all. Hilda and Solness are, I believe, the first characters...that exists in them, beyond the life of every day, conies fraught with terror. Hilda and Solness are two souls to whom a flash has revealed their situation... | |
 | Maurice Maeterlinck - 1903 - 300 sivua
...we have to yield to it. Whether we want to or not, we must.' There is sorcery in them, as in us all. Hilda and Solness are, I believe, the first characters...the life of every day, comes fraught with terror. Hilda and Solness are two souls to whom a flash has revealed their situation in the true life. —... | |
 | Maurice Maeterlinck - 1902 - 252 sivua
...it. Whether we want to or not, we must.1 There is sorcery in them, as in us all. Hilda and Sol ness are, I believe, the first characters in drama who...the life of every day, comes fraught with terror. Hilda and Solness are two souls to whom a flash has revealed their situation in the true life. Diverse... | |
 | Maurice Maeterlinck - 1903 - 300 sivua
...have to yield to it. Whether we want to or not, we must.' There is sorcery in them, as in us all. 254 Hilda and Solness are, I believe, the first characters...they are living in the atmosphere of the soul ;, and the_discQYery of this essentialjife, that exists in them, beyond the life of every day, comes fraught... | |
 | William Winter - 1913 - 774 sivua
...[What, indeed!] . . . He has freed certain powers of the soul that have never yet been free, and it may be that these have held him in thrall. . . . Hilda...the life of every day, comes fraught with terror. . . . Their conversation resembles nothing that we have ever heard. [!!!!] . . . A new. indescribable... | |
 | Louis Willaim Flaccus - 1916 - 242 sivua
...man's relation to the Universe. He himself marks the transition in sentences like the following. " Hilda and Solness are, I believe, the first characters...the life of every day, comes fraught with terror. ... A new, indescribable power dominates this somnambulistic drama. All that is said therein at once... | |
 | Louis William Flaccus - 1916 - 214 sivua
...man's relation to the Universe. He himself marks the transition in sentences like the following. " Hilda and Solness are, I believe, the first characters...the life of every day, comes fraught with terror. ... A new, indescribable power dominates this somnambulistic drama. All that is said therein at once... | |
 | Louis William Flaccus - 1916 - 218 sivua
...man's relation to the Universe. He himself marks the transition in sentences like the following. " Hilda and Solness are, I believe, the first characters...that exists in them, beyond the life of every day, conies fraught with terror. ... A new, indescribable power dominates this somnambulistic drama. All... | |
 | Thomas H. Dickinson - 1927 - 336 sivua
...of Ibsen's Master Builder, Maeterlinck wrote, "Hilda and 175 '• THE DRAMATIC REVIVAL Solness are the first characters in drama who feel, for an instant, that they are living in the atmosphere of Soul." This is the world that he would represent in his plays. It follows from his interest in soul... | |
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