Bach, the Mass in B Minor: The Great Catholic Mass
Yale University Press, 2003 - 311 sivua
In this book George B. Stauffer explores the music and complex history of Bach's last and possibly greatest masterpiece. Stauffer examines the B-Minor Mass in greater detail than ever before, demonstrating for the first time Bach's reliance on contemporary models from the Dresden Mass repertory and his brilliantly innovative methods of unifying his immense composition. Musicians, music scholars, students, and music lovers will find in this engagingly written book a wealth of information about Bach's extraordinary choral work.
Stauffer surveys the roots of the Mass Ordinary text and its treatment in settings known to Bach. He looks at the events that led to the writing of the B-Minor Mass and places the work within the context of the composer's late style. In three deeply informed chapters, Stauffer considers the individual sections of the Mass--the Kyrie and Gloria, the Credo, and the Sanctus and Agnus Dei. The book also traces the history of the work after Bach's death, addresses specific issues of performance practice, and investigates the qualities that give the B-Minor Mass its universal appeal.
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CHAPTER 2THE COMPOSITION OF THE BMINOR MASS
CHAPTER 3THE KYRIE AND GLORIA
CHAPTER 4THE CREDO
CHAPTER 5THE SANCTUS AND AGNUS DEI
SURVIVAL REVIVAL AND REINTERPRETATION
CHAPTER 7ISSUES OF PERFORMANCE PRACTICE
CHAPTER 8THE GREAT CATHOLIC MASS
A Word on Modern Editions 267
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adagio Agnus Agnus Dei allabreve alto appears aria autograph B-Minor Mass Bach's Baroque bass bassoon Benedictus Berlin Berlin State Library C. P. E. Bach cadence Cantata capo cappella Catholic chant Chapter choir choral chorus Christe eleison Christoph Wolff colla composed composition concerted Confiteor continuo Credo in unum Crucifixus Domine Deus Dona nobis pacem Dresden Dresden Masses duet ensemble Example expecto exposition flutes Friedrich August fugue Gloria in excelsis Gott Gratias agimus tibi Hofkirche imitation incarnatus J. S. Bach Johann Sebastian Bach Kyrie and Gloria Kyrie eleison Latin Laudamus Leipzig melody meter minor motive movement Neapolitan notes obbligato oboes Osanna Palestrina parody Patrem omnipotentem performance phrase pieces Pleni Renaissance resurrexit Rifkin ritornello Sanctus score sedes segment slurred Smend solo soprano Spitta stile antico strings style Symbolum tempo tenor terra pax theme timpani tollis tonic trumpets unum Deum unum Dominum violin vocal voices writing Zelenka