English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 sivua |
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Sivu 121
... Aeschylus , Sophocles , and Euripides , the three tragic poets unequalled yet by any , and the best rule to all who endeavour to write Tragedy . The circumscription of time wherein the whole Drama begins and ends , is , according to ...
... Aeschylus , Sophocles , and Euripides , the three tragic poets unequalled yet by any , and the best rule to all who endeavour to write Tragedy . The circumscription of time wherein the whole Drama begins and ends , is , according to ...
Sivu 300
... Aeschylus , and some- times Sophocles , were guilty of this fault ; among the Latins , Claudian and Statius ; and among our own countrymen , Shakespeare and Lee . In these authors the affectation of greatness often hurts the perspicuity ...
... Aeschylus , and some- times Sophocles , were guilty of this fault ; among the Latins , Claudian and Statius ; and among our own countrymen , Shakespeare and Lee . In these authors the affectation of greatness often hurts the perspicuity ...
Sivu
... AESCHYLUS and ARISTOPHANES see ' Classics ' on p . 5 ) ARNOLD ( MATTHEW ) . Poems , 1849-67 ( 85 ) . BARHAM ( RICHARD ) . The Ingoldsby Legends ( 9 ) . BLAKE ( WILLIAM ) . Selected Poems ( 324 ) . BRONTË SISTERS , THE . The Professor ...
... AESCHYLUS and ARISTOPHANES see ' Classics ' on p . 5 ) ARNOLD ( MATTHEW ) . Poems , 1849-67 ( 85 ) . BARHAM ( RICHARD ) . The Ingoldsby Legends ( 9 ) . BLAKE ( WILLIAM ) . Selected Poems ( 324 ) . BRONTË SISTERS , THE . The Professor ...
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written