English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 sivua |
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Tulokset 1 - 3 kokonaismäärästä 55
Sivu 62
... French , in his whole language , hath not one word that hath his accent in the last syllable saving two , called ... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable ...
... French , in his whole language , hath not one word that hath his accent in the last syllable saving two , called ... French , and we , never almost fail of . Lastly , even the very rhyme itself the Italian cannot put in the last syllable ...
Sivu 155
... French differ from us and from the Spaniards is , that they do not embarrass or cumber themselves with too much plot ; they only represent so much of a story as will constitute one whole and great action suffi- cient for a play ; we ...
... French differ from us and from the Spaniards is , that they do not embarrass or cumber themselves with too much plot ; they only represent so much of a story as will constitute one whole and great action suffi- cient for a play ; we ...
Sivu 175
... French . ' But to return whence I have digressed : I dare boldly affirm these two things of the English drama : First , that we have many plays of ours as regular as any of theirs , and which , besides , have more variety of plot and ...
... French . ' But to return whence I have digressed : I dare boldly affirm these two things of the English drama : First , that we have many plays of ours as regular as any of theirs , and which , besides , have more variety of plot and ...
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written