English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 sivua |
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Tulokset 1 - 3 kokonaismäärästä 58
Sivu 169
... character in all plays , even without the poet's care , will have ad- vantage of all the others ; and that the design of the whole drama will chiefly depend on it . But this hinders not that there may be more shining characters in the ...
... character in all plays , even without the poet's care , will have ad- vantage of all the others ; and that the design of the whole drama will chiefly depend on it . But this hinders not that there may be more shining characters in the ...
Sivu 286
... characters . Homer has excelled all the heroic poets that ever wrote , in the multitude and variety of his characters . Every god that is admitted into his poem , acts a part which would have been suitable to no other deity . His ...
... characters . Homer has excelled all the heroic poets that ever wrote , in the multitude and variety of his characters . Every god that is admitted into his poem , acts a part which would have been suitable to no other deity . His ...
Sivu 379
... character , for reasons I may have occasion to observe hereafter , was even predominant in the Faerie Queene . His narration is subservient to his moral , and but serves to colour it . This he tells us himself at setting out : 6 Fierce ...
... character , for reasons I may have occasion to observe hereafter , was even predominant in the Faerie Queene . His narration is subservient to his moral , and but serves to colour it . This he tells us himself at setting out : 6 Fierce ...
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written