English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 sivua |
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Sivu 204
... judgement , by putting bounds to a wild overflowing fancy . I think , therefore , it will not be hard for me to make good what it was to prove on that supposition . But you add , that were this let pass , yet he who wants judgement in ...
... judgement , by putting bounds to a wild overflowing fancy . I think , therefore , it will not be hard for me to make good what it was to prove on that supposition . But you add , that were this let pass , yet he who wants judgement in ...
Sivu 205
... judgement as it is in the best poets ; they who have the greatest pro- portion of it , want other helps than from it , within . As for example you would be loath to say , that he who is endued with a sound judgement has no need of ...
... judgement as it is in the best poets ; they who have the greatest pro- portion of it , want other helps than from it , within . As for example you would be loath to say , that he who is endued with a sound judgement has no need of ...
Sivu 245
... judgements as our watches , none Go just alike , yet each believes his own . In poets as true genius is but rare ... judgement in their mind ; Nature affords at least a glimm'ring light ; The lines , tho ' touch'd but faintly , are ...
... judgements as our watches , none Go just alike , yet each believes his own . In poets as true genius is but rare ... judgement in their mind ; Nature affords at least a glimm'ring light ; The lines , tho ' touch'd but faintly , are ...
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written