English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 sivua |
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Tulokset 1 - 3 kokonaismäärästä 66
Sivu 70
... NUMBERS IN GENERAL There are but three feet which generally dis- tinguish the Greek and Latin verses , the Dactyl ... numbers have their original . Let us now then examine the property of these two feet , and try if they consent with the ...
... NUMBERS IN GENERAL There are but three feet which generally dis- tinguish the Greek and Latin verses , the Dactyl ... numbers have their original . Let us now then examine the property of these two feet , and try if they consent with the ...
Sivu 96
... numbers best fit the nature of her idiom , and the proper places destined to such accents as she will not let into any other rooms than in those for which they were born . As for example , you cannot make this fall into the right sound ...
... numbers best fit the nature of her idiom , and the proper places destined to such accents as she will not let into any other rooms than in those for which they were born . As for example , you cannot make this fall into the right sound ...
Sivu 97
... numbers : if for the ignorant , it was vain , for if they become versifiers , we are like to have lean numbers instead of fat rhyme ; and if Tully would have his orator skilled in all the knowledges appertaining to God and man , what ...
... numbers : if for the ignorant , it was vain , for if they become versifiers , we are like to have lean numbers instead of fat rhyme ; and if Tully would have his orator skilled in all the knowledges appertaining to God and man , what ...
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written