English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 sivua |
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Sivu 43
... Poetry . And certain it is that , in our plainest homeliness , yet never was the Albion nation without Poetry . Marry , this argument , though it be levelled against Poetry , yet is it indeed a chain - shot against all learning , or ...
... Poetry . And certain it is that , in our plainest homeliness , yet never was the Albion nation without Poetry . Marry , this argument , though it be levelled against Poetry , yet is it indeed a chain - shot against all learning , or ...
Sivu 239
... poetry makes its imitation must be pathetic is evident , for passion is still more necessary to it than harmony . For harmony only distinguishes its instrument from that of prose , but passion ... poetry , no more than MODERN POETRY 239.
... poetry makes its imitation must be pathetic is evident , for passion is still more necessary to it than harmony . For harmony only distinguishes its instrument from that of prose , but passion ... poetry , no more than MODERN POETRY 239.
Sivu 241
... poetry , in short , everything that pleases , and consequently moves in the poetic diction , is passion , whether it be ordinary or enthusiastic . And thus we have shown what the chief excel- lence in the body of poetry is , which we ...
... poetry , in short , everything that pleases , and consequently moves in the poetic diction , is passion , whether it be ordinary or enthusiastic . And thus we have shown what the chief excel- lence in the body of poetry is , which we ...
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written