English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 sivua |
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Tulokset 1 - 3 kokonaismäärästä 33
Sivu 11
... sort is wrapped within the fold of the proposed subject , and takes not the course of his own invention , whether they properly be poets or no let grammarians dispute ; and go to the third , indeed right poets , of whom chiefly this ...
... sort is wrapped within the fold of the proposed subject , and takes not the course of his own invention , whether they properly be poets or no let grammarians dispute ; and go to the third , indeed right poets , of whom chiefly this ...
Sivu 319
... sort of duplicates of what we had , possibly much better , before ; increasing the mere drug of books , while all that makes them valuable , knowledge and genius , are at a stand . The pen of an original writer , like Armida's wand ...
... sort of duplicates of what we had , possibly much better , before ; increasing the mere drug of books , while all that makes them valuable , knowledge and genius , are at a stand . The pen of an original writer , like Armida's wand ...
Sivu 352
... sort of moral prudery , he concealed it , where he should have let loose all his fire , and have showed the most tender sensi- bilities of heart . At his celebrated Cato , few tears are shed , but Cato's own ; which , indeed , are truly ...
... sort of moral prudery , he concealed it , where he should have let loose all his fire , and have showed the most tender sensi- bilities of heart . At his celebrated Cato , few tears are shed , but Cato's own ; which , indeed , are truly ...
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written