Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Sivu 48
... æsthetic study . At the same time the ' picturesque ' became a topic of frequent discussion , and was admitted as an æsthetic category alongside beauty , grace , and sublimity . Much material for the illustration of the nature of the ...
... æsthetic study . At the same time the ' picturesque ' became a topic of frequent discussion , and was admitted as an æsthetic category alongside beauty , grace , and sublimity . Much material for the illustration of the nature of the ...
Sivu 49
... æsthetic outlook of the time . In their own day such writings helped to co - ordinate and stabilize speculation on ... æsthetic pleasure or to understand æsthetic experience more fully . The century never lost sight of the supreme ...
... æsthetic outlook of the time . In their own day such writings helped to co - ordinate and stabilize speculation on ... æsthetic pleasure or to understand æsthetic experience more fully . The century never lost sight of the supreme ...
Sivu 219
... æsthetic theory in recognizing the sublime as an aesthetic category distinct from beauty , and in making a psychological analysis of the sentiment it inspires . Addison ( see p . 98 above ) and Hutcheson had , indeed , seen that ...
... æsthetic theory in recognizing the sublime as an aesthetic category distinct from beauty , and in making a psychological analysis of the sentiment it inspires . Addison ( see p . 98 above ) and Hutcheson had , indeed , seen that ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
Tekijänoikeudet | |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing