Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 25
Sivu 68
... affect only as the palace , temple , or landscape would have affected in the reality . On the other hand , the most lively and spirited verbal description I can give raises a very obscure and imperfect idea of such objects ; but then it ...
... affect only as the palace , temple , or landscape would have affected in the reality . On the other hand , the most lively and spirited verbal description I can give raises a very obscure and imperfect idea of such objects ; but then it ...
Sivu 69
... affect , not by any original power , but by representation , it might be supposed that their influence over the ... affected and brought into sym- pathy by any tokens which are shown of them ; and there are no tokens which can express ...
... affect , not by any original power , but by representation , it might be supposed that their influence over the ... affected and brought into sym- pathy by any tokens which are shown of them ; and there are no tokens which can express ...
Sivu 180
... affect the passions . In the infinite variety of natural combinations , we must expect to find the qualities of things , the most remote imaginable from each other , united in the same object . We must expect also to find combinations ...
... affect the passions . In the infinite variety of natural combinations , we must expect to find the qualities of things , the most remote imaginable from each other , united in the same object . We must expect also to find combinations ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing