Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 25
Sivu 6
... attempt is made in the Introduction to lay down the broad lines of this study , and to give some indications of the relationships existing between critical theory and the arts in this time . These hints are necessarily sketchy and ...
... attempt is made in the Introduction to lay down the broad lines of this study , and to give some indications of the relationships existing between critical theory and the arts in this time . These hints are necessarily sketchy and ...
Sivu 28
... attempt in the first half of the century to paint in verse the beauty and wonder of the natural world ; but other ... attempted to seize the ' atmosphere ' of natural scenes , and Cowper advanced to the suggestion of a spiritual link ...
... attempt in the first half of the century to paint in verse the beauty and wonder of the natural world ; but other ... attempted to seize the ' atmosphere ' of natural scenes , and Cowper advanced to the suggestion of a spiritual link ...
Sivu 221
... attempt to differentiate absolutely between the beautiful and the picturesque or the picturesque and the sublime ... attempts to distinguish the picturesque from these qualities much more sharply than Gilpin , even though he admits that ...
... attempt to differentiate absolutely between the beautiful and the picturesque or the picturesque and the sublime ... attempts to distinguish the picturesque from these qualities much more sharply than Gilpin , even though he admits that ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing