Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 26
Sivu 179
... become amazed and confounded at the wonders of minuteness ; nor can we distinguish in its effect this extreme of littleness from the vast itself . For division must be infinite as well as addition ; because the idea of a perfect unity ...
... become amazed and confounded at the wonders of minuteness ; nor can we distinguish in its effect this extreme of littleness from the vast itself . For division must be infinite as well as addition ; because the idea of a perfect unity ...
Sivu 182
... become thus expressive to us of all the varied happiness they produce , and contain , and conceal . 2. From analogy ... becomes so powerfully expressive to us of the latter . It is thus , that the colours , the sounds , the forms , and ...
... become thus expressive to us of all the varied happiness they produce , and contain , and conceal . 2. From analogy ... becomes so powerfully expressive to us of the latter . It is thus , that the colours , the sounds , the forms , and ...
Sivu 183
... become forever afterwards expressive of them . It is thus that colours , forms , etc. , derive their temporary beauty from fashion ; that the objects which have been devoted to religion , to patriotism or to honour , affect us with all ...
... become forever afterwards expressive of them . It is thus that colours , forms , etc. , derive their temporary beauty from fashion ; that the objects which have been devoted to religion , to patriotism or to honour , affect us with all ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing