Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 32
Sivu 22
... character of his work that any critical examination which neglects these conditions is bound to lead to false conclusions . In adopting this line of argument Dryden may well have been influenced by Saint - Évremond , who had tried to ...
... character of his work that any critical examination which neglects these conditions is bound to lead to false conclusions . In adopting this line of argument Dryden may well have been influenced by Saint - Évremond , who had tried to ...
Sivu 113
... Characters of La Bruyère in prose ; and that it is a creative and glowing imagination , acer spiritus ac vis , and that alone , that can stamp a writer with this exalted and very uncommon character , which so few possess , and of which ...
... Characters of La Bruyère in prose ; and that it is a creative and glowing imagination , acer spiritus ac vis , and that alone , that can stamp a writer with this exalted and very uncommon character , which so few possess , and of which ...
Sivu 186
... character composed of these qualities , and distinct from all others , does prevail through all Nature ; if it can be traced in the different objects of art and of Nature , and appears consistent throughout , it surely deserves a ...
... character composed of these qualities , and distinct from all others , does prevail through all Nature ; if it can be traced in the different objects of art and of Nature , and appears consistent throughout , it surely deserves a ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing