Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 21
Sivu 62
... feels it , whether it be admira- tion , terror , or joy ; and I call the very same passions en- thusiasms , when their cause is not clearly comprehended by him who feels them . Passion is more to be derived from a Sacred Subject than ...
... feels it , whether it be admira- tion , terror , or joy ; and I call the very same passions en- thusiasms , when their cause is not clearly comprehended by him who feels them . Passion is more to be derived from a Sacred Subject than ...
Sivu 214
... feeling for the Alps or Apennines ; the notes describe buildings and monuments , remains and curiosities , people and customs , trade and agriculture , but do not give more on scenery than very brief touches , such as " pleasant country ...
... feeling for the Alps or Apennines ; the notes describe buildings and monuments , remains and curiosities , people and customs , trade and agriculture , but do not give more on scenery than very brief touches , such as " pleasant country ...
Sivu 226
... feeling , ' the adjective dates from about 1730. In the eighteenth century the word , as applied to persons , meant characterized by refined and elevated feeling ' ; and when used of works of art or literary compositions meant ...
... feeling , ' the adjective dates from about 1730. In the eighteenth century the word , as applied to persons , meant characterized by refined and elevated feeling ' ; and when used of works of art or literary compositions meant ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing