Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 84
Sivu 97
... imagination with its ideas ; so that by the pleasures of the imagination or fancy ( which I shall use promiscuously ) I here mean such as arise from visible objects , either when we have them actually in our view , or when we call up ...
... imagination with its ideas ; so that by the pleasures of the imagination or fancy ( which I shall use promiscuously ) I here mean such as arise from visible objects , either when we have them actually in our view , or when we call up ...
Sivu 103
... imagination which proceed from ideas raised by words , because most of the observations that agree with descriptions , are equally applicable to painting and statuary . Words , when well chosen , have so great a force in them , that a ...
... imagination which proceed from ideas raised by words , because most of the observations that agree with descriptions , are equally applicable to painting and statuary . Words , when well chosen , have so great a force in them , that a ...
Sivu 223
... imagination . Wit and Judgment : Fancy and Imagination . The term ' wit ' had come to be used in the sixteenth century in the sense of the French esprit - range and originality of thought , intellectual quick- ness and subtlety . In the ...
... imagination . Wit and Judgment : Fancy and Imagination . The term ' wit ' had come to be used in the sixteenth century in the sense of the French esprit - range and originality of thought , intellectual quick- ness and subtlety . In the ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
Tekijänoikeudet | |
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Yleiset termit ja lausekkeet
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing