Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 16
Sivu 42
... learning and on the plastic and decorative arts . In particular , these discoveries brought to light aspects of classical architecture which had not been revealed by the study of Vitruvius or seen in ruined remains of Roman public ...
... learning and on the plastic and decorative arts . In particular , these discoveries brought to light aspects of classical architecture which had not been revealed by the study of Vitruvius or seen in ruined remains of Roman public ...
Sivu 50
... learning . A study of the literary and aesthetic criticism of the eighteenth century shows how vitally the different arts were linked together in this period . The interactions of poetry , painting , and landscape gardening were ...
... learning . A study of the literary and aesthetic criticism of the eighteenth century shows how vitally the different arts were linked together in this period . The interactions of poetry , painting , and landscape gardening were ...
Sivu 94
... Learning , destitute of this superior aid , is fond , and proud , of what has cost it much pains ; is a great lover of rules , and boaster of famed examples : as beauties less perfect , who owe half their charms to cautious art , learning ...
... Learning , destitute of this superior aid , is fond , and proud , of what has cost it much pains ; is a great lover of rules , and boaster of famed examples : as beauties less perfect , who owe half their charms to cautious art , learning ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing