Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 31
Sivu 92
... less we copy the renowned ancients , we shall resemble them the more . " ... What glory to come near , what glory to reach , what glory ( presumptuous thought ! ) to surpass , our predecessors ! And is that then in Nature absolutely ...
... less we copy the renowned ancients , we shall resemble them the more . " ... What glory to come near , what glory to reach , what glory ( presumptuous thought ! ) to surpass , our predecessors ! And is that then in Nature absolutely ...
Sivu 127
... less convinced than the Ancients of this superior power existing in the art ; nor less sensible of its effects . Every language has adopted terms expressive of this excellence . The gusto grande of the Italians , the beau idéal of the ...
... less convinced than the Ancients of this superior power existing in the art ; nor less sensible of its effects . Every language has adopted terms expressive of this excellence . The gusto grande of the Italians , the beau idéal of the ...
Sivu 182
... less universal and less permanent relations . 1. From experience , when peculiar forms or appearances of matter are considered as the means or instruments by which those feelings or affections of mind are produced with which we ...
... less universal and less permanent relations . 1. From experience , when peculiar forms or appearances of matter are considered as the means or instruments by which those feelings or affections of mind are produced with which we ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing