Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Sivu 32
... lines . This movement linked naturally , if unexpectedly , with the teaching of the painter Hogarth , who , in his Analysis of Beauty ( 1753 ) , set out to show that the curved or undulating line ( and not the straight line or circle as ...
... lines . This movement linked naturally , if unexpectedly , with the teaching of the painter Hogarth , who , in his Analysis of Beauty ( 1753 ) , set out to show that the curved or undulating line ( and not the straight line or circle as ...
Sivu 86
... lines recited with just gesture and elegant modulation . The lines relate to some action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and where is ...
... lines recited with just gesture and elegant modulation . The lines relate to some action , and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and where is ...
Sivu 187
... lines do not vary in a sudden and broken manner , and where there is no sudden protuberance . It requires but little reflec- tion to perceive , that the exclusion of all but flowing lines cannot promote variety ; and that sudden ...
... lines do not vary in a sudden and broken manner , and where there is no sudden protuberance . It requires but little reflec- tion to perceive , that the exclusion of all but flowing lines cannot promote variety ; and that sudden ...
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n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing