Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 37
Sivu 28
... original disobedience towards his Creator . Shaftes- bury , on the contrary , saw Nature as ' supremely fair and sovereignly good , ' and thus provided the text for the famous Hymn with which Thomson concluded his Seasons . The Seasons ...
... original disobedience towards his Creator . Shaftes- bury , on the contrary , saw Nature as ' supremely fair and sovereignly good , ' and thus provided the text for the famous Hymn with which Thomson concluded his Seasons . The Seasons ...
Sivu 90
... originals , and confine the term imitation to the second . I shall not enter into the curious enquiry of what is , or is not , strictly speaking , original , content with what all must allow , that some compositions are more so than ...
... originals , and confine the term imitation to the second . I shall not enter into the curious enquiry of what is , or is not , strictly speaking , original , content with what all must allow , that some compositions are more so than ...
Sivu 91
... original may be said to be of a vegetable nature ; it rises spontaneously from the vital root of genius ; it grows ... originals so few ? Not because the writer's harvest is over , the great reapers of antiquity having left nothing to be ...
... original may be said to be of a vegetable nature ; it rises spontaneously from the vital root of genius ; it grows ... originals so few ? Not because the writer's harvest is over , the great reapers of antiquity having left nothing to be ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing