Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 64
Sivu 26
... poetic standpoint , and in the second half of the century Milton's romantic qualities and the sublimity of his ... poet divine inspiration and a divine mission ; and this he had done not in mere imitation of classical custom , but in a ...
... poetic standpoint , and in the second half of the century Milton's romantic qualities and the sublimity of his ... poet divine inspiration and a divine mission ; and this he had done not in mere imitation of classical custom , but in a ...
Sivu 27
... poetic justice was : ... The inspired gift of God , rarely bestowed . . . and of power to inbreed and cherish in a great people the seeds of virtue and public civility , . . . and to celebrate in glorious and lofty hymns the throne and ...
... poetic justice was : ... The inspired gift of God , rarely bestowed . . . and of power to inbreed and cherish in a great people the seeds of virtue and public civility , . . . and to celebrate in glorious and lofty hymns the throne and ...
Sivu 197
... poetic justice and his criticism of the mixing of tragic and comic elements in drama . But these limitations do not ... Poetics , i . 6-9 . Renaissance critics took up the discussion again — e.g . , Sidney , in his Apologie for Poetrie ...
... poetic justice and his criticism of the mixing of tragic and comic elements in drama . But these limitations do not ... Poetics , i . 6-9 . Renaissance critics took up the discussion again — e.g . , Sidney , in his Apologie for Poetrie ...
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n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing