Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 21
Sivu 6
... present a body of ideas ( some of which are still effective in modern criticism and æsthetic ) rather than to assemble a number of documents , complete freedom has been taken , where necessary , to arrange extracts from the same author ...
... present a body of ideas ( some of which are still effective in modern criticism and æsthetic ) rather than to assemble a number of documents , complete freedom has been taken , where necessary , to arrange extracts from the same author ...
Sivu 119
... present to different men different images of things , this sceptical proceeding will make every sort of reasoning on every subject vain and frivolous , even that sceptical reasoning itself which had persuaded us to entertain a doubt ...
... present to different men different images of things , this sceptical proceeding will make every sort of reasoning on every subject vain and frivolous , even that sceptical reasoning itself which had persuaded us to entertain a doubt ...
Sivu 123
... present judgment regards as trifling and contemptible . Before I leave this subject , I cannot help taking notice of an opinion which many persons entertain , as if the taste were a separate faculty of the mind , and distinct from the ...
... present judgment regards as trifling and contemptible . Before I leave this subject , I cannot help taking notice of an opinion which many persons entertain , as if the taste were a separate faculty of the mind , and distinct from the ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
Tekijänoikeudet | |
16 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing