Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 15
Sivu 130
... proportion to rules , or of producing beauty by selection . " A man cannot tell , " says he , “ " whether Apelles or Albert Dürer were the more trifler : whereof the one would make a personage by geometrical proportions ; the other , by ...
... proportion to rules , or of producing beauty by selection . " A man cannot tell , " says he , “ " whether Apelles or Albert Dürer were the more trifler : whereof the one would make a personage by geometrical proportions ; the other , by ...
Sivu 164
... proportion to the activity , strength , dexterity , life and vigour of the particular species or animal designed . Thus beauty and truth are plainly joined with the notion of utility and convenience , even in the apprehension of every ...
... proportion to the activity , strength , dexterity , life and vigour of the particular species or animal designed . Thus beauty and truth are plainly joined with the notion of utility and convenience , even in the apprehension of every ...
Sivu 171
... proportion among the parts , and of each part to the whole . As there is a greater diversity of proportions possible ... proportion retained , a uniformity , and resemblance of corresponding figures ; and every deviation in one part from ...
... proportion among the parts , and of each part to the whole . As there is a greater diversity of proportions possible ... proportion retained , a uniformity , and resemblance of corresponding figures ; and every deviation in one part from ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing