Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 51
Sivu 18
... Reason , or by ' Good Sense ' or ' Common Sense . ' As the need for these qualities had been constantly stressed by the great classical critics ( and particularly by Aristotle , Horace , and rhetoricians like Quintilian ) it was easy ...
... Reason , or by ' Good Sense ' or ' Common Sense . ' As the need for these qualities had been constantly stressed by the great classical critics ( and particularly by Aristotle , Horace , and rhetoricians like Quintilian ) it was easy ...
Sivu 35
... reason . The nature of the imagination as a creative faculty , and as a power of the mind distinct from memory or reason , had been clearly recognized by Bacon ; but later seventeenth - century psychologists had , as has been shown ...
... reason . The nature of the imagination as a creative faculty , and as a power of the mind distinct from memory or reason , had been clearly recognized by Bacon ; but later seventeenth - century psychologists had , as has been shown ...
Sivu 59
... reason than his will ; all that he advances is confirmed by reasons drawn from the common sentiments of mankind , so that men themselves become the rule and measure of what he lays down . Thus , without considering that the rules are of ...
... reason than his will ; all that he advances is confirmed by reasons drawn from the common sentiments of mankind , so that men themselves become the rule and measure of what he lays down . Thus , without considering that the rules are of ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing