Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 21
Sivu 96
... Sight Our sight is the most perfect and most delightful of all our senses . It fills the mind with the largest variety of ideas , converses with its objects at the greatest distance , and continues the longest in action without being ...
... Sight Our sight is the most perfect and most delightful of all our senses . It fills the mind with the largest variety of ideas , converses with its objects at the greatest distance , and continues the longest in action without being ...
Sivu 100
... sight every moment with something that is new . We are quickly tired with looking upon hills and valleys , where everything continues fixed and settled in the same place and posture , but find our thoughts a little agitated and relieved ...
... sight every moment with something that is new . We are quickly tired with looking upon hills and valleys , where everything continues fixed and settled in the same place and posture , but find our thoughts a little agitated and relieved ...
Sivu 103
... sight of things themselves . The reader finds a scene drawn in stronger colours , and painted more to the life in his imagination , by the help of words , than by an actual survey of the scene which they describe . In this case the poet ...
... sight of things themselves . The reader finds a scene drawn in stronger colours , and painted more to the life in his imagination , by the help of words , than by an actual survey of the scene which they describe . In this case the poet ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing