Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
Kirjan sisältä
Tulokset 1 - 3 kokonaismäärästä 37
Sivu 46
... true nature of the Romantic poetry of Ariosto and Tasso , and its influence on Spenser and Milton . No other writer , with the exception of Young , had made such bold claims for invention and for poetical truth as opposed to the so ...
... true nature of the Romantic poetry of Ariosto and Tasso , and its influence on Spenser and Milton . No other writer , with the exception of Young , had made such bold claims for invention and for poetical truth as opposed to the so ...
Sivu 66
... true and the other as a medley of fooleries which we can never believe , the advantage for touching the springs of passion will fall infinitely on the side of the Christian poet . EDWARD YOUNG ( 1683-1765 ) : from On Lyric Poetry ( 1728 ) ...
... true and the other as a medley of fooleries which we can never believe , the advantage for touching the springs of passion will fall infinitely on the side of the Christian poet . EDWARD YOUNG ( 1683-1765 ) : from On Lyric Poetry ( 1728 ) ...
Sivu 139
... true idea of what imagination is ; though it appears as if we had nothing to do but to consult our own particular sensations , and these were sufficient to ensure us from all error and mistake . A knowledge of the disposition and ...
... true idea of what imagination is ; though it appears as if we had nothing to do but to consult our own particular sensations , and these were sufficient to ensure us from all error and mistake . A knowledge of the disposition and ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
Tekijänoikeudet | |
16 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Yleiset termit ja lausekkeet
action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing