Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Harrap, 1952 - 231 sivua |
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Tulokset 1 - 3 kokonaismäärästä 61
Sivu 36
... writing ' gave further illustrations of it in its form of fantasy . He showed also that the rôle of imagination was ... writers on æsthetic questions followed suit . Shaftesbury and Bishop Berkeley believed that the existence of a ...
... writing ' gave further illustrations of it in its form of fantasy . He showed also that the rôle of imagination was ... writers on æsthetic questions followed suit . Shaftesbury and Bishop Berkeley believed that the existence of a ...
Sivu 81
... writing , of which we can tell what is its essence , and what are its constituents ; every new genius produces some ... writer to distinguish Nature from custom ; or that which is established because it is right , from that which is ...
... writing , of which we can tell what is its essence , and what are its constituents ; every new genius produces some ... writer to distinguish Nature from custom ; or that which is established because it is right , from that which is ...
Sivu 107
... Writing ' : the Charm of Fantasy or Inventive Imagination There is a kind of writing wherein the poet quite loses sight of Nature , and entertains his reader's imagination with the characters and actions of such persons as have many of ...
... Writing ' : the Charm of Fantasy or Inventive Imagination There is a kind of writing wherein the poet quite loses sight of Nature , and entertains his reader's imagination with the characters and actions of such persons as have many of ...
Sisältö
n to the study INTRODUCTION | 11 |
incomplete SELECTED TEXTS | 53 |
from A Complete Art of Poetry | 61 |
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action Addison admiration æsthetic affect ancient appear architecture arise Aristotle artist authors Burke called character classical colours composition criticism deformity delight drama eighteenth century endeavour English Essay expression faculty facundia Faery Queen fancy French garden genius GEORGE FARQUHAR Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Horace Walpole human ideas of beauty images imagination imitation John Dennis JOSEPH ADDISON Joseph Warton judgment kind landscape Letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting passions perfection Phidias philosopher picturesque play pleased poem poet poetic poetry Pope preface to Shakespeare principles qualities Quintilian reason RICHARD HURD Romantic rules of art scene sense of beauty sensible Shaftesbury Shakespeare species Spectator sublime suppose taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Walpole Warton whole word writing