Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Nide 80Gale Research Company, 1984 |
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Sivu 131
... Richard II disinherits his cousin , we learn that Bolingbroke has already raised an army and is even then making for England " with all due expedience " ( Richard II , II . i . 287 ) , apparently ignorant of the king's action against ...
... Richard II disinherits his cousin , we learn that Bolingbroke has already raised an army and is even then making for England " with all due expedience " ( Richard II , II . i . 287 ) , apparently ignorant of the king's action against ...
Sivu 136
... Richard's own word ) monarchiz- ing the king . The stage belongs to Richard , and he uses it to full effect . All addresses made to him in this scene allude to his royal station . His regality is in the foreground of each speech and is ...
... Richard's own word ) monarchiz- ing the king . The stage belongs to Richard , and he uses it to full effect . All addresses made to him in this scene allude to his royal station . His regality is in the foreground of each speech and is ...
Sivu 137
... Richard's quietly ironic recognition of Bolingbroke's ambition to Henry IV's double dealing with Exton , the pattern of secrecy followed by lying establishes monarchy as a political practice that is necessarily sustained by public ...
... Richard's quietly ironic recognition of Bolingbroke's ambition to Henry IV's double dealing with Exton , the pattern of secrecy followed by lying establishes monarchy as a political practice that is necessarily sustained by public ...
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action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words