Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Nide 80Gale Research Company, 1984 |
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Sivu 195
... actor , and the lead boy in 1606-07 had three choice parts in a row - Shakespeare's Lady Macbeth and Cleo- patra , as well as Barnes's Lucretia in The Devil's Charter ' ( The actor may , in fact , have had a fourth great role if the ...
... actor , and the lead boy in 1606-07 had three choice parts in a row - Shakespeare's Lady Macbeth and Cleo- patra , as well as Barnes's Lucretia in The Devil's Charter ' ( The actor may , in fact , have had a fourth great role if the ...
Sivu 205
... acting itself was openly displayed : each actor came on stage at his or her own pace , sometimes greeting the audience , and assuming his role only when he was properly positioned . Similarly , after performing his part , the ac- tor ...
... acting itself was openly displayed : each actor came on stage at his or her own pace , sometimes greeting the audience , and assuming his role only when he was properly positioned . Similarly , after performing his part , the ac- tor ...
Sivu 206
... actor and contemporary audi- ence was provided by major additions to the text : three intermedia and dumb shows . The Porter ( played by Ambrosii Buchma ) , called the Fool in Kurbas's produc- tion , appeared in the intervals between ...
... actor and contemporary audi- ence was provided by major additions to the text : three intermedia and dumb shows . The Porter ( played by Ambrosii Buchma ) , called the Fool in Kurbas's produc- tion , appeared in the intervals between ...
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