Five ArtsDuckworth, 1946 - 258 sivua |
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Tulokset 1 - 3 kokonaismäärästä 52
Sivu 82
Frank Ernest Halliday. CHAPTER VI SCULPTURE As sculpture is a visual and three - dimensional art it is , over a limited range of subjects , potentially the most mimetic of the arts . The sculptor , it is true , cannot reproduce a ...
Frank Ernest Halliday. CHAPTER VI SCULPTURE As sculpture is a visual and three - dimensional art it is , over a limited range of subjects , potentially the most mimetic of the arts . The sculptor , it is true , cannot reproduce a ...
Sivu 86
... sculpture has much in common . Since Renaissance times artists have on the whole been so preoccupied with exploring the possibilities of painting that they have given less attention to the expensive practice of sculpture , while the ...
... sculpture has much in common . Since Renaissance times artists have on the whole been so preoccupied with exploring the possibilities of painting that they have given less attention to the expensive practice of sculpture , while the ...
Sivu 87
... sculpture must also learn to feel shape simply as shape , not as description or reminiscence . He must , for example ... sculpture . All archaic European sculpture -Greek and Romanesque , for instance - approaches plasticity from the ...
... sculpture must also learn to feel shape simply as shape , not as description or reminiscence . He must , for example ... sculpture . All archaic European sculpture -Greek and Romanesque , for instance - approaches plasticity from the ...
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Yleiset termit ja lausekkeet
A. E. HOUSMAN abstract aesthetic emotion aesthetic sense anapaests appearance appreciation architect architecture artist beauty building century Cézanne classical CLIVE BELL colour combination conscious considered contrapuntal creative derived doth effect element English ERIC GILL essential experience expression eyes feeling flowers function Gothic Gothic architecture Greek hand harmony hear Herbert Read iambic ideas imagination imitation intellectual literal meaning living look medium Messrs metre mind nature never object onomatopoeia painter painting passage pattern picture Piero della Francesca pleasure poem poet poetic poetry prose pure rational realism Renaissance representation rhyme rhythm ROGER FRY Romantic sculpture sequence Shakespeare shape significance sonnet soul sound spondee Sprung Rhythm story style suggest sweet syllables T. S. ELIOT thee thing thou thought three-dimensional tones trochee true ugly unconscious mind verse visual art whole words writing yellow