John DrydenHarold Bloom Chelsea House, 1987 - 234 sivua A collection of twelve critical essays on the work of Dryden, arranged in chronological order of original publication. |
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Tulokset 1 - 3 kokonaismäärästä 16
Sivu 36
... Cleopatra of Fletcher and Mass- inger's The False One ) . By the end of the act these similar lovers have been brought together to the dismay of Ventidius , but it is to be noticed that Antony's conviction that Cleopatra is worth more ...
... Cleopatra of Fletcher and Mass- inger's The False One ) . By the end of the act these similar lovers have been brought together to the dismay of Ventidius , but it is to be noticed that Antony's conviction that Cleopatra is worth more ...
Sivu 38
... Cleopatra . When she has persuaded him of the nobility of her love , he iden- tifies his passion with his heroism , much as Almanzor does , and ... Cleopatra and Caesar to the contrast between Cleopatra and Octavia 38 EUGENE M. WAITH.
... Cleopatra . When she has persuaded him of the nobility of her love , he iden- tifies his passion with his heroism , much as Almanzor does , and ... Cleopatra and Caesar to the contrast between Cleopatra and Octavia 38 EUGENE M. WAITH.
Sivu 39
... Cleopatra of the Egyptian . Caesar's ideal of heroic man is a Stoic concept of the warrior , whereas Cleopatra's includes both warrior and lover . The same might be said of the ideals of these two characters in All for Love , but from ...
... Cleopatra of the Egyptian . Caesar's ideal of heroic man is a Stoic concept of the warrior , whereas Cleopatra's includes both warrior and lover . The same might be said of the ideals of these two characters in All for Love , but from ...
Sisältö
The Trivialization of Universal Harmony | 7 |
The Herculean Hero in All for Love | 31 |
Absalom and Achitophel | 43 |
Tekijänoikeudet | |
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Absalom and Achitophel action allusion Antony appears argument assertion become begin celebration characters Charles claims Cleopatra close contemporary course court criticism death dialectical Dryden effect English Essay expressed Fables fact figure final Flecknoe follows force formal give hand Hastings hero heroic human idea ideology interest John kind king language later less lines literary live marriage meaning mind Mode nature never notes once opening original passage past perhaps play plot poem poet poetic poetry political praise Preface present Press question reading reason reference relation Religio Religio Laici remains Restoration satire seems sense social sort soul spirit structure success suggests things thou thought tion traditional translation true turn University verse virtue whole writing