John DrydenHarold Bloom Chelsea House, 1987 - 234 sivua A collection of twelve critical essays on the work of Dryden, arranged in chronological order of original publication. |
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Tulokset 1 - 3 kokonaismäärästä 22
Sivu 40
... Conquest of Granada , it deals with successive adventures in the life of one man , not with one central crisis . ” Jean Hagstrum says the play " is not a closely concatenated action that un- folds moral justice . It is a gallery of ...
... Conquest of Granada , it deals with successive adventures in the life of one man , not with one central crisis . ” Jean Hagstrum says the play " is not a closely concatenated action that un- folds moral justice . It is a gallery of ...
Sivu 66
... Conquest , 4.2.121 ) Beside these naturalistic characters Dryden places another group . These are characters of principle as well as passion , figures who have the energy of the naturalistic characters without their limiting egoism ...
... Conquest , 4.2.121 ) Beside these naturalistic characters Dryden places another group . These are characters of principle as well as passion , figures who have the energy of the naturalistic characters without their limiting egoism ...
Sivu 68
... Conquest , 3.1.193-96 ) When Almanzor finds himself suddenly numbed by " the lethargy of love , " he fights the chains of Almahide's beauty and struggles against her fettering of his will . When he finally accepts love , he accepts it ...
... Conquest , 3.1.193-96 ) When Almanzor finds himself suddenly numbed by " the lethargy of love , " he fights the chains of Almahide's beauty and struggles against her fettering of his will . When he finally accepts love , he accepts it ...
Sisältö
The Trivialization of Universal Harmony | 7 |
The Herculean Hero in All for Love | 31 |
Absalom and Achitophel | 43 |
Tekijänoikeudet | |
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Absalom and Achitophel action allusion Antony appears argument assertion become begin celebration characters Charles claims Cleopatra close contemporary course court criticism death dialectical Dryden effect English Essay expressed Fables fact figure final Flecknoe follows force formal give hand Hastings hero heroic human idea ideology interest John kind king language later less lines literary live marriage meaning mind Mode nature never notes once opening original passage past perhaps play plot poem poet poetic poetry political praise Preface present Press question reading reason reference relation Religio Religio Laici remains Restoration satire seems sense social sort soul spirit structure success suggests things thou thought tion traditional translation true turn University verse virtue whole writing