John DrydenHarold Bloom Chelsea House, 1987 - 234 sivua A collection of twelve critical essays on the work of Dryden, arranged in chronological order of original publication. |
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Tulokset 1 - 3 kokonaismäärästä 40
Sivu 32
... hero which reappear in Antony . Though the title of the play leaves no doubt about the primacy of the theme of love , the hero , like his prototype in Shakespeare's play , is a warrior whose nobility and generosity are combined with ...
... hero which reappear in Antony . Though the title of the play leaves no doubt about the primacy of the theme of love , the hero , like his prototype in Shakespeare's play , is a warrior whose nobility and generosity are combined with ...
Sivu 40
... hero's quest for unbounded power is re- placed by a quest for unbounded love . In The Conquest of Granada a noble ... hero but in the service of Ferdinand and Isabella . Morat's case is more ambiguous , but at the end death has removed ...
... hero's quest for unbounded power is re- placed by a quest for unbounded love . In The Conquest of Granada a noble ... hero but in the service of Ferdinand and Isabella . Morat's case is more ambiguous , but at the end death has removed ...
Sivu 41
... hero's energies is totally unsuccessful . The love which the play celebrates soars beyond reason and legality , leading the lovers to defiance of the world and a final self- assertion in suicide . In his unrepentant commitment to a ...
... hero's energies is totally unsuccessful . The love which the play celebrates soars beyond reason and legality , leading the lovers to defiance of the world and a final self- assertion in suicide . In his unrepentant commitment to a ...
Sisältö
The Trivialization of Universal Harmony | 7 |
The Herculean Hero in All for Love | 31 |
Absalom and Achitophel | 43 |
Tekijänoikeudet | |
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Absalom and Achitophel action allusion Antony appears argument assertion become begin celebration characters Charles claims Cleopatra close contemporary course court criticism death dialectical Dryden effect English Essay expressed Fables fact figure final Flecknoe follows force formal give hand Hastings hero heroic human idea ideology interest John kind king language later less lines literary live marriage meaning mind Mode nature never notes once opening original passage past perhaps play plot poem poet poetic poetry political praise Preface present Press question reading reason reference relation Religio Religio Laici remains Restoration satire seems sense social sort soul spirit structure success suggests things thou thought tion traditional translation true turn University verse virtue whole writing