to an understanding of the classics: for on the theology of the most ancient Greeks, which is the subject of the following poem, much of succeeding authors depends. Few are the writers, either Greek or Roman, who have not made use of the fables of antiquity; historians have frequent allusions to them; and they are sometimes the very soul of poetry. For these reasons, let me admonish you to become soon familiar with Homer and Hesiod, by translations of them: you will perceive the advantage in your future studies; nor will you repent of it when you read the great originals. I have, in my notes, spared no pains to let you into the nature of the Theogony, and to explain the allegories to you; and, indeed, I have been more elaborate for your sake than I should otherwise have been. While I am paying my respect to your Lordship, I would not be thought forgetful of your brother; directing what I have here said, at the same time, to him. Go on, my Lord, to answer the great expectations which your friends have from you; and be your chief ambition to deserve the praise of all wise and good men.-I am, my Lord, with the greatest respect, and most sincere affection, Your most obedient and most humble Servant, THOMAS Cooke. THE THEOGONY; OR, THE GENERATION OF THE GODS. The Argument, After the proposition and invocation, the poet begins the generation of the gods. This poem, besides the genealogy of the deities and heroes, contains the story of Heaven, and the conspiracy of his wife and sons against him, the story of Styx and her offsprings, of Saturn and his sons, and of Prometheus and Pandóra: hence the poet proceeds to relate the war of the gods, which is the subject of above three hundred verses. The reader is often relieved, from the narrative part of the Theogony, with several beautiful descriptions, and other poetical embellishments, BEGIN, my song, with the melodious Nine 10 And thou, O Argive Juno! golden shod, 21 And Venus charming with the bending brow; Nor thou, Aurora, nor the day's great light, They chant; thee, Ocean, with an ample breast, 40 Shepherds, attend, your happiness who place In gluttony alone, the swain's disgrace; Strict to your duty in the field you keep, There vigilant by night to watch your sheep: Attend, ye swains, on whom the Muses call, Regard the honour not bestow'd on all; "Tis ours to speak the truth in language plain, Or give the face of truth to what we feign.' 50 So spoke the maids of Jove, the sacred Nine, And pluck'd a sceptre from the tree divine; To me the branch they gave, with look serene, The laurel ensign, never fading green: I took the gift, with holy raptures fired, My words flow sweeter, and my soul's inspired; Before my eyes appears the various scene Of all that is to come, and what has been. Me have the Muses chose, their bard to grace, To celebrate the bless'd immortal race; To them the honours of my verse belong: To them I first and last devote the song: But where, O where, enchanted do I rove, Or o'er the rocks, or through the vocal grove! 60 Now with the' harmonious Nine begin, whose voice 70 Makes their great sire, Olympian Jove, rejoice; And with the wondrous tale their father charm. Mnemosyne, in the Pierian grove, 81 Brought to Olympian Jove the Muses forth; Bless'd offsprings, happy maids, whose powerful art Can banish cares, and ease the painful heart. Absent from heaven, to quench his amorous flame Nine nights the god of gods compress'd the dame. Now thrice three times the moon concludes her race, And shows the produce of the god's embrace, 90 Near where Olympus rears his snowy height; Great Jove, their sire, who rules the' etherial plains, |