An Introduction to World Cinema, 2d ed.
McFarland, 28.4.2016 - 378 sivua
Motion pictures are more than just entertainment. In film studies courses in colleges and universities worldwide, students and professors explore the social, political, technological and historical implications of cinema. This textbook provides two things: the history of film as an art form and an analysis of its impact on society and politics. Chapters are arranged chronologically, covering the major developments in film, like the advent of talkies or the French New Wave. Each era is examined in the context of several exemplary films commonly viewed in film studies courses. Thus students can watch Birth of a Nation and Intolerance while studying the innovations made by D.W. Griffith from 1910 to 1919. The scope is global, embracing the cinematic traditions of Asia, Latin America and Africa, as well as the ever important American and European output. Thoughtful articles from film scholars are included. The flexible structure of the text allows a variety of options for classroom use or personal study. Instructors considering this book for use in a course may request an examination copy here.
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Yhtään arvostelua ei löytynyt.
LAnnée dernière à Marienbad The Narration of Narration by Allen Thiher
19 The Italian Cinema of Fellini and Antonioni
BlowUp Swinging London and the Film Generation by Peter Lev
21 New Italian Cinema of Pasolini and Bertolucci
8 Hollywood and the Sound Films of the 1930s
9 French Cinema of the 1930s
The Evolution of the Language of Cinema by André Bazin
Some Ideas on the Cinema by Cesare Zavattini
22 New German Cinema
Allen Altman and Coppola
24 Revisiting Genre Films in the 1980s and 1990s
25 Third Cinema and PostColonial Narratives in Africa Latin America and Asia
From a Hybrid Place by Trinh T MinhHa with Judith Mayne
Contemporary Inquiries into a War on Terrorism
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action actors American André Bazin Antonioni artists audience auteur become Bergman Blow-Up Buñuel Caligari camera characters comedy created critics cultural depicted di›erent directed discourse documentary documentary film drama dream e›ects editing Eisenstein explore fantasy farce feature films Fellini film directors film industry film narratives film noir film’s filmmakers forces French French New Wave Fritz Lang gangster genre films German Godard Gri‡th hero Hollywood human identity ideology illusion images Italian Jean Renoir L’Année dernière Marianne and Juliane melodramas ment modern montage moral motion pictures movie musical myths narration neorealist nickelodeons novel o›ers o‡ce one’s past photographer play political postmodern postwar produced realism reality relationships Renoir role romantic Rossellini scene screen sexual shot silent films social society sound Soviet space starring story studios style su›ering surreal techniques theatre themes Third Cinema tion traditional Tru›aut ture viewer violence visual Western woman women York young