New Theatre Quarterly 73: Volume 19, Part 1Simon Trussler, Clive Barker Cambridge University Press, 25.8.2003 - 96 sivua New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews. |
Sisältö
the TheatreDance Crossovers of Dodin Bausch and Forsythe | 3 |
Improvisation for Self and Other | 18 |
the Monte Cristo Riots and the Politics of Protest | 23 |
Culture Memory and American Performer Training | 33 |
Charles Parker Documentary Performance and the Search for a Popular Culture | 41 |
the TenMinute Play Overnight Theatre and the Decline of the Art of Storytelling | 67 |
The Detritus of Live Performance | 82 |
NTQ Reports and Announcements | 90 |
NTQ Book Reviews | 92 |
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