Peter Greenaway's Postmodern/poststructuralist CinemaPaula Willoquet-Maricondi, Mary Alemany-Galway Scarecrow Press, 2001 - 360 sivua British multi-media artist, Peter Greenaway, has shocked and intrigued audiences since the sixties with his avant-garde approach to filmmaking and other artistic ventures. This collection of essays from scholars in various disciplines explores various postmodern and poststructuralist aspects of Greenaway's films, starting with The Falls and his early shorts, and ending with The Pillow Book. Other artistic productions, including his paintings and the installation The Stairs are discussed as well. The introductory chapter establishes the theoretical framework for the book, while subsequent chapters examine the filmmaker's position within British and avant-garde cinema, and his interest in constructing and deconstructing representational systems. Includes two texts by Greenway and two interviews |
Sisältö
Peter Greenaways The Falls | 79 |
Postmodern Features | 113 |
Interpreting the Missing Formal | 137 |
Tekijänoikeudet | |
10 muita osia ei näytetty
Muita painoksia - Näytä kaikki
Peter Greenaway's Postmodern / Poststructuralist Cinema Paula Willoquet-Maricondi,Mary Alemany-Galway Rajoitettu esikatselu - 2008 |
Yleiset termit ja lausekkeet
aesthetic allegory Architect architecture argues art cinema artistic audience avant-garde away's Baby of Mâcon baroque become Belly body British film camera characters Cook critical cultural Dear Phone death discourse dramatic Draughtsman's Contract Drowning by Numbers Elliott and Purdy essay exhibition explores Falls fiction film's filmic filmmaking formal device Foucault frame Greenaway's films human Hundred Objects illusion interpretation Japanese knowledge Kracklite language London Lover Marienbad material meaning Michael modern modernist multiple museum Nagiko narrative neo-baroque notion Noughts Objects to Represent opera painting performance Peter Greenaway Pillow Book play political postmodern postmodernist Prospero's Books reality relationship representation ritual screen script Sei Shonagon self-reflexive sense Shonagon space Stairs/Geneva story strategies structural film suggests theater theory Thief things time-lapse time-lapse sequences tion TV Dante University Press Vermeer Vertical Features Remake victims viewer vision visual Walk through H Water Wrackets writing
Viitteet tähän teokseen
Het actuele denken: de mentale ruimte, contaminaties en serendipiteit Johan Teirlinck Rajoitettu esikatselu - 2005 |