ABBEY of Saint Gilles, in France, former and

present condition of this great Benedictine
establishment, 769.

Achilleus, St., 630.

Adelaide of Bergamo, St., 660.

Adrian, St., 469.

Afra of Augsburg, St., 663.

Afra of Brescia, St., 662.

Agatha, St., Virgin and Martyr, 608.
Aglae and Boniface, SS., 633.
Agnes, St., Virgin and Martyr, 600.
Alexander the Martyr, St., 660.

Alexis, St., 634. His legend among the most
beautiful of sacred romances, 634. How re-
presented in art, 637.

Ambrose, St., 306.

Anachronisms in sacred art, 8.

Anargyres, origin of the appellation, 434.
Anastasia, St., 639.

Anastasius, St., 553.
Andrew, St., 226.

Angels, 41. Early popular belief as to their
existence and influence in the affairs of man-
kind, 41. Illustrative quotation from
Spenser, 42. Scriptural and theological
authorities relative to their nature, orders,
and functions, 43. 46. Modes of represent-
ing them in ancient works of art, 46. 52.
Wings, an almost invariable attribute, 53.
Milton's picture of a seraph contrasted with
that of early art, 55. Poetical nature of
Orcagna's angels, 56.

Dante's ideal, 56.
Their threefold functions as messengers from
God to man, as the choristers of heaven, and

as the guardians of the just and innocent, 57.
61. How represented in art when viewed as
ministers of wrath, 63.; as ministers of
mercy, 64. More frequently alluded to in
the New Testament than in the Old, 68.
Their artistic treatment in pictures of Gospel
narratives, 68. 73. Characteristics of the
several schools of art in reference to angelic
forms and attributes, 74. 86.

Ansano, St., 650.

Anthony, St., 741.

Apollinaris of Ravenna, St., 700.

Apollonia, St., Virgin and Martyr, 578. Her
legend, 578. How represented in art, 579,

580.

Apollonius, St., 665.

Apostles, The Twelve, 173. Tradition respect-
ing the composition of the "Apostles'
Creed," 174.

Archangels, The, 87. St. Michael, 94. St.

Gabriel, 118. St. Raphael, 126. St Uriel, 88.
Arnold, Dr., his objection to the Miltonic re-
presentation of Satan, 102. n.
Remarks on
martyrdom pictures, 523.

Asterius, bishop of Amasea, quotation from
one of his homilies, 561.
Athanasius, St., 339.

Attributes, origin and significance of, in legen-
dary art, 23. 36.

Auchinleck MSS., quotation from a metrical
legend of St. Margaret in the, 519.

Augustine, St., 308. His tomb in the cathedral
of Pavia, 309.

Aventore, Auditore, and Ottavio, SS., 785.

Baillet, references to his " Vies des Saints,"

556. 564. 578, 579. 634.
Balbina, Santa, 630.

Balthazar, de la Burle, lines from his "Hymn

to the Magdalene,” 374.

Barbara, St., 492. Her effigy a frequent orna-
ment on armour, shields, &c., 500.
Barnabas, St., 278.

Baronius, his account of the exhumation of St.
Cecilia, 587.

Bartholomew, St., 244. Not popular in works
of art, 244. How represented, 244.
Bartsch, references to, 196. n., 224. 323. 488.
731.755.

Basil the Great, St., 335.

Bell, Sir Charles, his description of Stefano
Maderno's statue of "St. Cecilia lying dead,"
587.

Cicognara, references to his "Storia della Scul-
tura moderna," 352. 463. 702.

Clair, St., 718.

Classical art, educational associations favour-
able to the right appreciation of, 7.
Clement, St., third bishop of Rome, 626.
Colours, their symbolical meaning as exempli-
fied in sacred art, 35, 36. See also 257. R.
Constantine, St. See "St. Sylvester."
Cornelius, St., 735.

Cosmo and Damian, SS., 433.
Costanzo, St., (Constantius,) 708.
Crispin and Crispianus, SS., 679.
Crowned Brothers, The Four. See "Quattro-
Coronati."

Cyprian and Justina of Antioch, SS., 573.
Cyprian, St., bishop of Carthage, 699.
Cyril, St., 342.

Damian, St. See "SS. Cosmo and Damian."
Dante, quotations from, or references to, 45.

56. 60. 82. 119, 120. 123. 131. 231. 260.
269. 322. 328. 620. 682.

Dark ages, state of society in the, 4.
Demons, belief regarding them in the primitive
ages of the Church, 526.
Denis of France, St., 713.

Devotional art, distinguishing features of, 11.
Diderot, characteristic specimen of his criti-
cisms on religious art, 307.

Didron, references to his "Iconographie Chré-
tienne," 23. 154.

Doctors of the Church, The, 280.

Donato of Arezzo, St., 701.

Dorothea, St., Virgin and Martyr, 568.
Dragon, as attribute and symbol, 26.

Eleutherius, St., 715.

Eloy, St., 728. His legend, and its representa-
tion in works of art, 728-732. Passage
from one of his sermons, 473. n.
Emblems, their origin and significance in
sacred art, 23. 36.

Ephesus, The Seven Sleepers of, 581.

Lambert, St., bishop of Maestricht, 732.
Lanzi, references to, 229. 411. n., 598. 765.
Lardner, quotations from, 96. 184. 195. 250.
251. 277.

Last Supper, The, 261.

Latin Fathers, The Four, 280. How repre-
sented in devotional pictures when grouped
together, 280. 285. St. Jerome, 285. St.
Ambrose, 300. St. Augustine, 308. St.
Gregory, 315.

Latin Martyrs, The, 583-620.
Laurence, St., Deacon and Martyr, 538.
Lazarus, St., (brother of SS. Martha and
Mary,) 383.

Leander and Isidore, SS., brothers, and suces-
sively bishops of Seville, 737.
Legenda Aurea, quotations from, or references
to, 247. 438. 492. 786. n.

Legendario, Il perfetto, quotations from, 95.

143. 382. 694.

Legendario Romano, reference to the, 634.
Legende delle SS. Vergini, quotation from,

608.

Legends of the Monastic Orders, references to,

172. 642. 675.

Leo, St., 685.

Leocadia, St., 678.

Leonard, St., 765.

Lindsay, Lord, references to his "Sketches of

Christian Art," 243. 654.
Longinus, St., 787.

Lucia, St., Virgin and Martyr, 613. Devo-
tional and other pictures, 617-620.
Luke, St., 154. A beloved disciple and com-
panion of St. Paul, 154. Doubts as to the
manner of his death, 154. Some ground for
supposing him to have been a physician,
but none for the legend which makes him a
painter, 154. Chosen, nevertheless, as the
patron saint of painters, 155. Pictures re-
presenting him painting the Virgin, 155,

156.

Lupo, St., 660.

Maccabees, the seven Jewish martyr-brethren
mentioned in, 645.

Macrina, St., (grandmother of St. Basil,) 335.

Magdalene, St. Mary, 343.

Maitland's "Dark Ages," referred to, 729. n.
Marcella, St., 384.

Margaret, St., 516. The chosen type of female
innocence and meekness, 516. Her singu-
larly wild legend, 517. Devotional pictures
of her, 519-522.
Mark, St., 147.
Martha, St., 381.

Martin of Tours, St., 720.
Martina, St., 638.

Martyrs, The Early, 523.
Martyrs, The Greek, 556.
Martyrs, The Latin, 583.
Martyrs, The Roman, 621.'

Martyrs of Tuscany, Lombardy, Spain, and
France, 648.

Mary of Egypt, St., 385.

Mary the Penitent (niece of the hermit Abra-
ham), 390.

Moses, St., 756.

Murray's Handbooks, references to, 306. 762.
Music and musicians. See "St. Cecilia."
Myrrhophores, or myrrh-bearers, 368.

Nabor and Felix, SS., 659.

Natalia, St. See "St. Adrian."

Nazarius and Celsus, SS., 659. How repre-

sented in art, 660.

Nereo and Achilleo, SS., 630.
Nicaise, St., (Nicasius,) 718.
Nicholas of Myra, St., 450.

Oëlenschläger, quotations from his drama of

"Correggio," 357.

Omobuono, St., 674.

Onuphrius, St., 755.

Ottavio, St., 786.

Panacea, St., of the Valais, 662.
Pancras, St., 640.

Pantaleon, St., Martyr, 566.

Passavant, references to his " Rafael," 129

221, 240. 248. 317. 692.

Patron Saints of Christendom, The, 395. Their
names, and distinctive characteristics, 396.
Paul, St., 185. 212.

Paul of Thebes, founder of the Anchorites, 739.
746, 747.

Pelagia, St., 394.

Penitents, beatified, 343. 385. 389. 393.
Persecutions of the early Christians, 525.
Peter and Paul, SS., 185. Subjects separately
illustrating the life of St. Peter, 193–211.;
of St. Paul, 212-223.

Peter Exorcista and Marcellinus, SS., 632.
Petronilla, St., legend of, 210.

Petronius, St., 709.

Philip, St., (Apostle,) 241.

Phocas, St., Martyr, 564.

Pope, title of, when first adopted, 684.
Potitus, St., 652.

Praxedes and Pudentiana, SS., 622.
Prisca, St., 681.

Procopius, St., 771.

Proculus, St., bishop of Bologna, 710.

Proculus, St., military protector of Bologna,
795.