Clarissa, or, The history of a young lady, by the editor of Pamela. Richardson, Nide 8

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Sivu 265 - But as for me, my feet were almost gone; my steps had well nigh slipped. For I was envious at the foolish, when I saw the prosperity of the wicked. for there are no bands in their death : but their strength is firm. They are not in trouble as other men , neither are they plagued like other men.
Sivu 265 - When I thought to know this, it was too painful for me, Until I went into the sanctuary of God ; then understood I their end.
Sivu 258 - Who were the first that established this rule I know not ; but I am sure it has no foundation in nature, in reason, or in the practice of the ancients.
Sivu 260 - I cannot think of one real hero in all antiquity so far raised above human infirmities, that he might not be very naturally represented in a tragedy as plunged in misfortunes and calamities. The poet may still find out some prevailing passion or indiscretion in his character, and show it in such a manner, as will sufficiently acquit the gods of any injustice in his sufferings.
Sivu 258 - For this reason the ancient writers of tragedy treated men in their plays as they are dealt with in the world, by making virtue sometimes happy, and sometimes miserable, as they found it in the fable which they made choice of, or as it might affect their audience in the most agreeable manner.
Sivu 258 - Terror and commiseration leave a pleasing anguish in the mind; and fix the audience in such a serious composure of thought, as is much more lasting and delightful than any little transient starts of joy and satisfaction. Accordingly we find, that more of our English tragedies have succeeded, in which the favourites of the audience sink under their calamities, than those in which they recover themselves out of them.
Sivu 29 - There is no inquisition in the grave," says the wise man, "whether we lived ten or a hundred years; and the day of death is better than the day of our birth.
Sivu 260 - I cannot think but that the instruction and moral are much finer, where a man who is virtuous in the main of his character falls into distress, and sinks under the blows of fortune at the end of a tragedy, than when he is represented as happy and triumphant.

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