Shakespearean Tragedy and Its Double: The Rhythms of Audience ResponsePenn State Press, 1.11.2010 |
Sisältö
Theater and Narrative in Romeo and Juliet | 43 |
Remembering Hamlet | 89 |
The Scenic Rhythms of Othello | 139 |
Kent Edgar and the Situation of King Lear | 181 |
The Audience In and Out of Antony and Cleopatra | 227 |
Selected Bibliography | 271 |
Muita painoksia - Näytä kaikki
Shakespearean Tragedy and Its Double: The Rhythms of Audience Response Kent Cartwright Rajoitettu esikatselu - 1991 |
Shakespearean Tragedy and Its Double: The Rhythms of Audience Response Kent Cartwright Rajoitettu esikatselu - 1991 |
Yleiset termit ja lausekkeet
acting action actor Antony and Cleopatra Antony's argues audience's becomes behold Benvolio Caesar Cambridge Capulet carnivalesque Cassio Claudius Claudius's comic Coppélia Cordelia create critics death Desdemona dialogue discussion disengagement dramatic Edgar edited effect Elizabethan Emilia emotional empathy engagement and detachment Enobarbus Enobarbus's entrance Essays example experience feel Folio Fool Friar Friar Lawrence gesture ghost Goldman Gonoril Hamlet hero Horatio humor Iago Iago's imagination invites Kent Kent's King Lear Laertes language Lear's lines London lovers Macbeth madness Mercutio Michael Michael Goldman moral narrative Octavius Octavius's Ophelia Othello parodies passion performance perspective physical play's playgoer poetic Polonius present Quarto recognize relationship response rhythm role Romeo and Juliet secondary characters sense sexual Shakespeare Quarterly Shakespeare's Plays Shakespearean Tragedy shifts soliloquy speak spectator spectatorial spectatorial distance spectatorship speech stage stands structure suggests suicide sympathy tension theater theatrical thou tion tragic Tybalt uncanny virtuosic wonder York